A couple of weeks late, as usual, I headed up to my neighborhood cineplex yesterday to catch ‘Across the Universe’, Julie Taymor’s new musical flick at the reduced matinee price. I really do know how to do movies on a budget, if I do say so myself. We won’t talk about what I ate and drank during the movie, but let’s just say the whole thing (film + lunch) came out to under $10. In New York City, that’s definitely a bargain.
So I can’t complain too much about the fact that this is a rather flawed movie. A friend of mine said it best yesterday before I even saw the movie – Julie Taymor makes beautiful images, but she’s not a storyteller. I mean, The Lion King was a pretty silly story to start with, and she didn’t ruin it by any means, but those lyrics to ‘Endless Night’ really didn’t do anything for the whole thing.
There’s just no story of any substance in this movie. The conflicts aren’t clear enough, the plot seems to meander in between the visually impressive musical numbers, and what’s up with the random lesbian? Can anyone explain that to me?
I’m not sure why Julie Tee didn’t just do a Beatles (and Henrix/Joplin?) tribute album and a remake of Hair, because that seemed to be what she was aiming for here. I might be in the minority here, but I laughed in the scene where the moving crowd on the street stops and begins to turn and move in sync around the singer – I guess it was an intentional nod to the Hair film, and I do love it as a device, but given the similarity in the stories, it was a bit much. The point of the whole film, if we can boil it down to that, seems to be “The Sixties”, and I just think that it’s a topic that’s been addressed better pretty much… everywhere else.
I didn’t realize until the credits just how many young New York actors were in the film, but I did have fun playing spot-the-former-Rent-stars (Hi Matt Caplan! Hi Luther Creek! And hold up, which hooker was Yassmin Alers?) My favorite cameo, and this probably goes without saying, had to be Logan Marshall-Green as Paco the Revolutionary. One person had told me he had a “small” part and someone else didn’t remember seeing him, so I was expecting it to be a blink-and-you’ll-miss-it part (*cough* Luther), but I was pleasantly surprised to see him throughout much of the middle of the flick, albeit hiding under a big old Communist beard.
I did dig the score in a big way, and Jim Sturgess is a true discovery. I admit that this one has a shot at ending up on my very short DVD shelf at some point, if only for the musical sequences.
I do wish that Julie Taymor would learn to step aside and learn to support other people’s stories instead of trying to tell her own, but ever since The Lion King, she can pretty much do whatever the hell she wants, for better or for worse.
I am currently holding in my hands a freshly printed copy of the second installment of my new favorite young adult series, “
their win is not it.
When I first heard that Susan Cooper’s ‘The Dark is Rising’ series was being translated to film, I was overjoyed.
It happens every summer – I swear I’m not going to get hooked on Big Brother, and then before I know it, I’m watching the feeds, reading the boards, and stewing about how the wrong people always win this damn game. This summer has been no exception, but I did find myself actually genuinely cheering for Eric.
only to find out that he wasn’t playing Big Brother after all, but rather a side twist known as America’s Player in which America would vote three times a week to control his actions in the house.
was almost better that way – he had no time to suffer on the block, and he rode off into the sunset with forty grand in his pocket.
when he pointed out that Mr. Rogers was voicing all the puppets and, for some inexplicable reason, 
backyard, and that’s the other drama unfolding live on the internet tonight – the
For all the web hits I get from people looking for information on the 

